| Introduction au droit_(MGMDO205) |
UVSQ_2023_MGMDO205 |
|
See course |
| Informatique de gestion_(MGMDO302) |
UVSQ_2023_MGMDO302 |
|
See course |
| Gestion de projets_(MGMDO303) |
UVSQ_2023_MGMDO303 |
|
See course |
| Management de l'inno°_(MGMDO401) |
UVSQ_2023_MGMDO401 |
|
See course |
| Méthodologie, stage et mé_(MGMDO502) |
UVSQ_2023_MGMDO502 |
|
See course |
| Comportement du conso_(MGMDO601) |
UVSQ_2023_MGMDO601 |
|
See course |
| Intro à la com des orga_(MGMDO604) |
UVSQ_2023_MGMDO604 |
|
See course |
| Contrôle de gestion_(MGMDO602) |
UVSQ_2023_MGMDO602 |
|
See course |
| Management de la qualité_(MGMDO603) |
UVSQ_2023_MGMDO603 |
|
See course |
| Projet scient personnel_(NX12216) |
UVSQ_2023_NX12216 |
|
See course |
| Physique des interactions_(EN3050) |
UVSQ_2023_EN3050 |
|
See course |
| New Space_(NX8272) |
UVSQ_2023_NX8272 |
|
See course |
| Conception satellite_(NX8273) |
UVSQ_2023_NX8273 |
|
See course |
| Activités AIT/AIV_(NX8274) |
UVSQ_2023_NX8274 |
|
See course |
| Dév. de pièce spatiale_(NX8276) |
UVSQ_2023_NX8276 |
|
See course |
| Présentation des milieux_(NX8277) |
UVSQ_2023_NX8277 |
|
See course |
| Conception instrumentale_(NX8278) |
UVSQ_2023_NX8278 |
|
See course |
| Télécommunications_(NX8279) |
UVSQ_2023_NX8279 |
|
See course |
| Stage_(NX8282) |
UVSQ_2023_NX8282 |
|
See course |
| Outils informatiques_(MYPLA11A) |
UVSQ_2023_MYPLA11A |
|
See course |
| Management de la qualité_(MYPLA12A) |
UVSQ_2023_MYPLA12A |
|
See course |
| Accomp lecture scientifiq_(NX12217) |
UVSQ_2023_NX12217 |
|
See course |
| Humanités numériques_(NX12218) |
UVSQ_2023_NX12218 |
|
See course |
| Cult Pat Mond Anglophones_(NX12226) |
UVSQ_2023_NX12226 |
|
See course |
| Culture visu: sem monodis_(NX12229) |
UVSQ_2023_NX12229 |
This seminar will be devoted to the analysis of a series of images produced throughout the history of England and then the United Kingdom (from the eleventh century to the present day, from the Bayeux Tapestry to Banksy's street art), which occupy a special place in the British collective imagination. We will begin by placing these images in their context, and considering the ways in which they were produced, disseminated and received as material objects. We will then try to determine the processes by which these images have acquired recognition (in both the literal and figurative sense) and have taken on the status of heritage products, as well as the meanings with which these images are invested today. |
See course |
| Bases tech du paysage_(AGCAUE1) |
UVSQ_2023_AGCAUE1 |
|
See course |
| Techiniques de projet_(AGCAUE2) |
UVSQ_2023_AGCAUE2 |
|
See course |
| Approche de l'entreprise_(AGCAUE3) |
UVSQ_2023_AGCAUE3 |
|
See course |
| Gestion de l'entreprise_(AGCAUE4) |
UVSQ_2023_AGCAUE4 |
|
See course |
| Activité en entreprise_(AGCAUE5) |
UVSQ_2023_AGCAUE5 |
|
See course |
